"Das Kleist-Jahrbuch 2015 dokumentiert die Verleihung des Kleist-Preises 2014 mit den Reden des Preistragers Marcel Beyer, der Vertrauensperson der Jury Hortensia Volckers und des Prasidenten der Heinrich-von-Kleist-Gesellschaft Gunter Blamberger sowie die Beitrage der Tagung -Kleists Dinge-. Weitere Beitrage zu Kleists Werken und Rezensionen wissenschaftlicher Neuerscheinungen zu Kleist beschliessen den Band.""
"Dokumentation der Verleihung des Kleist-Preises 2013, unter anderem mit der Rede der Preisträgerin Katja Lange-Müller. Das Jahrbuch beinhaltet neben Abhandlungen zu Kleists Werken mit einem Schwerpunkt auf Kleists Topographien, auch Beiträge des Nachwuchskolloquiums »Heinrich von Kleist – Leben und Werk. Die Geschichte einer Beziehung« in Frankfurt (Oder). Rezensionen wissenschaftlicher Neuerscheinungen zu Kleist beschließen den Band."
"Zur jungsten Kleist-Forschung: Das Jahrbuch dokumentiert die Verleihung des Kleist-Preises 2012, unter anderem mit der Rede des Preistragers Navid Kermani. Es beinhaltet die Beitrage der Tagungen "Kleists Briefe" und des Nachwuchskolloquiums Natur im Werk Heinrich von Kleists . Abhandlungen zum Werk und Rezensionen wissenschaftlicher Neuerscheinungen beschliessen den Band.""
"Zur jungsten Kleist-Forschung: Das Jahrbuch dokumentiert die Verleihung des Kleist-Preises 2011, u. a. mit der Rede der Preistragerin Sibylle Lewitscharoff. Es beinhaltet die Beitrage der Tagungen "Adel und Autorschaft," "Okonomie des Opfers" und "Vertrauen im Werk Heinrich von Kleists und in der Literatur um 1800." Abhandlungen zum Werk und Rezensionen zu wissenschaftlichen Neuerscheinungen beschliessen den Band.""
"Das Jahrbuch dokumentiert die Verleihung des Kleist-Preises 2007 und 2008 u. a. mit den Reden der Preisträger Wilhelm Genazino (2007) bzw. Max Goldt (2008). Es beinhaltet die Beiträge der internationalen Tagung „Kleists Affekte“ 2008 in Berlin sowie Abhandlungen zu Kleists Werken und Rezensionen wissenschaftlicher Neuerscheinungen zu Kleist."
"Das Jahrbuch dokumentiert die Grundung der Heinrich-von-Kleist-Gesellschaft im Jahr 1960, die Verleihung des Kleist-Preises 2010, die internationale Tagung Kleist/Politik 2010 in Berlin sowie die Eroffnung der Ausstellung Kleist: Krise und Experiment . Beitrage und Abhandlungen zu Kleists Werken und Rezensionen wissenschaftlicher Neuerscheinungen zu Kleist beschliessen den Band.""
"Das Jahrbuch dokumentiert die Verleihung des Kleist-Preises 2009 u. a. mit der Rede des Preistragers Arnold Stadler. Es beinhaltet Beitrage zur Rezeptions- und Forschungsgeschichte sowie Abhandlungen zu Kleists Werken und Rezensionen wissenschaftlicher Neuerscheinungen zu Kleist.""
Poetics of Dance(1st Edition) Body, Image, and Space in the Historical Avant-Gardes (Oxford Studies in Dance Theory) by ProfessorGabrieleBrandstetter, Elena Polzer, Mark Franko Paperback, 456 Pages, Published 2015 by Oxford University Press ISBN-13: 978-0-19-991657-3, ISBN: 0-19-991657-8
"When it was first published in Germany in 1995, Poetics of Dance was already seen as a path-breaking publication, the first to explore the relationships between the birth of modern dance, new developments in the visual arts, and the renewal of literature and drama in the form of avant-garde theatrical and movement productions of the early twentieth-century. Author Gabriele Brandstetter established in this book not only a relation betwe ..."
"When it was first published in Germany in 1995, Poetics of Dance was already seen as a path-breaking publication, the first to explore the relationships between the birth of modern dance, new developments in the visual arts, and the renewal of literature and drama in the form of avant-garde theatrical and movement productions of the early twentieth-century. Author Gabriele Brandstetter established in this book not only a relation betwee ..."
"This fascinating volume offers a transdisciplinary and transcultural approach to understanding the senses by exploring themes in anthropologies of sound, sight, smell, taste, touch, and movement as expressed through aesthetic, perceptual, religious, and spiritual experiences. In drawing upon comparative perspectives from Indian and Western theories, the essays demonstrate the integral relation of senses with each other as well as with a ..."
"On the occasion of the first German exhibition on Black Mountain College in North Carolina, an international research project was launched to discuss its legacy. This volume explores works by Josef Albers, Robert Rauschenberg, Xanti Schawinsky, John Cage, Robert Creeley, Charles Olson and others."
"As performative and political acts, translation, intervention, and participation are movements that take place across, along, and between borders. Such movements traverse geographic boundaries, affect social distinctions, and challenge conceptual categorizations--while shifting and transforming lines of separation themselves. This book brings together choreographers, movement practitioners, and theorists from various fields and discipli ..."
"Igor Stravinsky's "The Rite of Spring" was premiered in 1913 by Sergei Diaghilev's Ballets Russes under the choreography of Vaslav Nijinsky, in the Théâtre des Champs Élysées in Paris. To this day it is considered the biggest theater scandal of the twentieth century. With its revolutionary score and choreography, "The Rite of Spring" can be seen as one of modernism's great breakthrough events, and it is the most choreographed ballet in ..."
"Both the identity of dance and that of theory are at risk as soon as the two intertwine. This anthology collects observations by choreographers and scholars, dancers, dramaturges and dance theorists in an effort to trace the multiple ways in which dance and theory correlate and redefine each other: What is the nature of their relationship? How can we outline a theory of dance from our particular historical perspective which will cover d ..."
" Touch is a fundamental element of dance. The (time) forms and contact zones of touch are means of expression both of self-reflexivity and the interaction of the dancers. Liberties and limits, creative possibilities and taboos of touch convey insights into the ‘aisthesis’ of the different forms of dance: into their dynamics and communicative structure, as well as into the production and regulation of affects. Touching and Being Touc ..."
"»In the play of moving and being moved, specific movements are unpredictable,
but they occur within an unnourrible field of gravity, centrifical force, support and
dependancy. ... This interaction makes it possible to keep all the parts of both
their bodies harmonizing. ... und Improvisation mehr Risikobereitschaft und somit
die Erfahrung eines weiteren Bewegungshorizonts mit sich bringt. ... Mit einer
Einführung in New Dance, Aach ..."